Love You Big as the Sky
|
|
Love you big as the sky (Lindisfarne love song) by Peter McGarr is for 40-part unaccompanied choir and was commissioned by Exmoor Singers for the Tallis Festival 2007, with financial assistance from the PRS Foundation for New Music. The first performance, given by the Tallis Festival Choir was on 14 October 2007. The Festival was recorded by the BBC and was the main feature on Radio 3's The Choir on 28 October 2007.The Tallis Festival Choir consisted of over 100 singers, who worked together over the Festival Weekend to learn the piece and perform it in a public concert. The recording below (which was made in addition to the BBC's recording) is with eight choirs distributed around the Church of St Alban the Martyr, in Holborn, London. The work is divided into 20 sections and the libretto for each section is given below.
See also notes from a conversation between Peter McGarr and Exmoor Singers' music director, James Jarvis, about the thinking behind the composition. |
Love You Big as the Sky
“I love you.”
“How much do you love me, Daddy?”
“I love you big as the sky.”
It’s a memory from my wife’s childhood. The moment she told me, I just knew I had to use these words – they seemed to evoke so much. ‘Love You Big as the Sky’, written for 40-part choir, is a love song set in and around the island of Lindisfarne. It moves from clouds and stars to sea and land, setting the poem ‘Lindisfarne’ by poet Jean Florence.
Other text sources include cloud names, children’s lullabies, haiku, diary fragments, Valentine cards, the Farne isles, shipwrecks, lighthouses and the 16th century poem ‘Western Wynde.’
Each section is echoed by a remnant from a traditional vocal form (mass, chorale, opera, song-cycle, cantata etc).
The climax of the piece features a 6-bar oratorio on words from the Song of Songs, ‘Love is as strong as death’. Everything ends with the words:
‘We shall return as birds to this island,
Our love as big as the sky.
Love you big as the sky.’
Peter McGarr, composer
1. Cloud Motet
O coruscans lux stellarum,
O splendissima specialis forma regalium nuptiarum,
O fulgens gemma;
tu es ornata in alta persona, quae non habet masculatam rugam.
(O glittering starlight, O most splendid and precious form of regal marriage, O shining jewel: you are adorned like a noble lady who is without blemish)
Cirrostratus
Cirrocumulus
Altostratus
Altocumulus
Cumulus
Cumulonimbus
Stratocumulus
Nimbostratus
2. Westron Wynde Mass
Westron wynde when wilt thou blow
the small rayne down can rayne
Cryst yf my love were in my armys
and I yn my bed agayne.
Gloria: Et in terra pax
Credo: Patrem omnipotentem
Sanctus: Sanctus
Agnus Dei: Dona nobis pacem
3. Chorale No. 1
Silently, one by one, in the infinite meadows of heaven
Blossomed the lovely stars.
(Longfellow)
4. Lullabies and Constellations
Come to the window my baby with me,
And look at the stars that shine on the sea.
There are two stars that play hide and seek,
Who see a dear baby that should be asleep.
(Anon)
Darkness falls on September skies,
Summer triangle of stars remain.
Arcturus fades below the north-west horizon.
Stardust trail leads east:
Denab, Altair, Vega and Perseus.
Cappella twinkles brightly in the north.
Pegasus high to the south east.
(Astronomy handbook)
5. Song-Cycle: Nine Dawn Watercolours
1.Late moon
Clouding hills
In a distance of indigo
2.Restless sea
Unknown faces
From a sepia photograph
3.Sunrise of songs
The birds imagined
4.New islands rise
Dawn shadows fade
5. A point of land
Catching clouds
In echoes
6. Just can't sleep
Hearing that old
Familiar love song
7.Morning waves
Lighting your sleeping face
8. All the dreams remain
To haunt the day
9. Now the fragrant night vanishes
(Acton Saywell)
O now the drenched land wakes ...
(Kenneth Patchen, text not included for copyright reasons)
6. Cantata Farne Aurora
7. Recitative:
On seeing Lindisfarne from a great distance
8. Lindisfarne Passion
Set out on a bright morning
travelling north, back to beginnings.
Morpeth, Alnmouth, Craster,
Seahouses where we used to book a boat trip
with Billy Shiels out
to the islands to welcome home
the puffins, land
on Inner Fame where Cuthbert
lived alone with sea birds
and with otters.
Bamburgh, Budle Bay, where
godwit and dunlin search the mudflats
following the tide, and now
I see it.
Like a dark brushstroke
far out on the horizon.
Further on and up,
the sky wide above me and the sea beside me,
to the small lane turning, down
across the level crossing
to the causeway. Tide’s out
and two mute swans sail serene,
on the channel.
Plover and sanderling at the water’s edge
and an elegance of oystercatchers.
Along the dunes and through the village.
Park at last on grass
below the castle
above the harbour.
Getting out the wind engulfs me,
takes my breath and leaves me standing
gasping, beaming, April in high summer.
Across the bright blue running water
spotlights flash, illuminating
now Bamburgh Castle to the south, now Berwick
on the far northern edge of vision,
while storm clouds pour from off the top of Cheviot.
(from ‘Lindisfarne’ by Jean Florence)
| Lighthouses | Shipwrecks (of the Farne Isles) |
|
Longstone Inner Farne Bamburgh |
Bantanglia Vagan Everene Pluto Hope Cairngorm Flying Dutchman Stormdrift |
Remacio Shaeton Breeze Emmanuel Paragon Paciline Empire Ford Kincardine |
Maystone Godenia Liddle Forfarshire Formica Barbara Eclipse |
The Farne Islands
|
Crumstone Knivestone Fang Callers Northern Hares Cove Car Little Harcar |
Blue Caps Big Harcar Brownsman Staple Island Skeney Scar Nameless Rock North Warnses |
Gun Rock The Bush The Rock Roddam and Green Little Scarcar Knocklin Ends Knoxes Reef |
Islestone Shad Glororum Shad Elbow South Goldstone Oxcar Megstone Swedman |
Holy Island of Lindisfarne
|
Snook Point Sand Dunes Sandrig Swinhoe Primrose Bank Jack Mathison’s Bank Lindisfarne Causeway Shell Road Mean High Water Snook House Tower |
North Shore Gull Banks Green Shiels Sandham Bay Beblowe Hill Cocklestone Castle Point Bible Law Emmanuel Head Sand Dunes Beacon |
Old Wagon Way Bride’s Hole Red Brae The Lough Crooked Lonnen Broad Stones Scar Jockey Chare Ends Black Skerrs Pilgrim’s Way Monastry |
St Mary’s Church Jenny Bell’s Well Mustard Close Tripping Chare Fort Osbourne Coves Bay The Heugh Steel End Castle Head Ouse |
Diary fragments
|
North Shore Vast wideness, Tide out, so far to the sea Keel Head Morning clear and bright Greenshiels Surprised us Snook Point Empty with dunes and Marram grass Primrose Bank We gaze as balloons drift cloud high |
The Swad A chaos of birdsong Hobthrush Where you crouched in the corner against the wind Straight Lonnen Afternoon of Hawthorn Blossom The Lough Swans like ghosts in reeds Beblowe Hill Outlined in sunrise The Walled Garden Silver in the eerie moonlight |
As the tide ebbs and flows, this place is surrounded twice daily by the waves of the sea
like an island.
(The Venerable Bede)
9. Chorale No. 2
All my love I give you.
10. Aria – Te Deum
How can words show the love I feel for you.
How can words touch my heart like you do.
You are the soul of my world,
The sound of my life.
All the music ever written was written for you.
All the love ever loved was loved for you.
I will love you beyond skies,
Love you beyond stars.
I will love you now and forever,
My love for you is endless.
(From a Valentine card)
Te Deum laudamus
11. Anthem of Psalms
12. Ballad
Kiss me with the kisses of your mouth,
For your love is more delightful than wine.
Pleasing is the fragrance of your perfume,
Your name is like perfume poured out.
I am my lover’s and my lover is mine
Until day breaks and shadows flee.
Love is as strong as death.
It burns like a mighty flame.
Many waters cannot quench love,
Rivers cannot wash it away.
(Song of Songs)
13. Haiku Requiem
I remember the things I ought to:
sky and sea anemonies,
spade and bucket enamelled blue
with yellow flowers.
The shore at low tide.
I remember still evenings;
reaching the railway bridge,
past a luxury of hedgerow and vetch.
The silver thread of line stretching
from horizon to horizon –
straining my ears, catching the imaginary distance.
Signals changing in a green ripple,
reflecting off the tracks, making the road glow.
The shout from the train as it rushed under our feet.
We were kings of the Earth.
Walking home, Farne lighthouses shining
and in that rare atmosphere the beam would sweep
across miles of mainland field,
Then back across the wrinkled sea.
I know at those times I was truly happy.
How time changes everything.
(Peter McGarr – after James Jarvis: “Northumbrian Recollections”)
|
1. Requiem aeternam 2. Kyrie 3. Dies irae 4. Tuba mirum 5. Liber scriptus |
6. Quid sum 7. Recordare 8. Rex tremendae 9. Ingemisco 10. Confutatis |
11. Lacrimosa 12. Domine Jesu Christe 13. Sanctus 14. Hosanna 15. Benedictus |
16. Pie Jesu 17. Agnus Dei 18. Lux aeterna 19. Libera me |
14. Love songs over Farne
15. Oratorio: Love is as strong as death
16. Keening
17. Lachrimae (Stabat Mater dolorosa)
18. Ghost Aria
19. Chorale No.3
Do not stand at my grave and weep;
I am not there, I do not sleep.
I am a thousand winds that blow.
I am the diamond glints on snow.
I am the sunlight on ripened grain
I am the gentle autumn rain.
When you awaken in the morning’s hush
I am the swift uplifting rush
Of quiet birds in circled flight.
I am the soft stars that shine at night.
Do not stand at my grave and cry,
I am not there, I did not die.
(Mary Fry)
Epitaph for Thomas Tallis (from his grave at Greenwich)
He maryed was, though children he had none,
and lived in Love full three and thirty Yere,
With loyal spowse, whose name yclipt was Jone.
Westron Wynde Mass (reprise)
Cryst yf my love
were in my armys
and I yn my bed agayne.
Stabat Mater dolorosa
Dona nobis pacem
20. Love You Big as the Sky
We shall return as birds to this island,
Our love as big as the sky.
Love You Big as the Sky.
|
Peter McGarr was born in Openshaw, Manchester, studied Music and Dance at Mather College and is self-taught in composition. For several years he taught steel pan, achieving the Outstanding Performance Award from Music for Youth for his steel band, ‘Orchestral Steel’. He has been nominated as Music Teacher of the Year and for the British Composer Awards and also presented with the George Butterworth Award for Contemporary Music from the Society for the Promotion of New Music. His music has been performed and commissioned by many leading orchestras, ensembles and choirs including BBC Proms, London Sinfonietta, Joanna MacGregor, Ensemble Bash, Capella Nova and Exmoor Singers of London. Peter’s music has been featured at several major festivals including those at Glastonbury, Bath, Huddersfield and Spitalfields. Publishers include Faber Music, Phylloscopus Publications and Breakthrough Music. Peter McGarr designs the artwork for his scores using photographic collage to illustrate themes in the music. |
 ![]() |


